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Awash in a haze of burnt orange and golden browns, Toria Wooff’s world is a colourful palette of opposing plains. A painter, poet, songwriter and storyteller, her songs are steeped in gothic romanticism, pagan and Germanic tradition, enchanted by an alchemy of ‘70s sound and vision where she magically blends the raw power of Led Zeppelin with Alice Cooper’s raven hues to forge her own spellbinding folk-rock concoction.
In an age when punk politics’ grey skies can overwhelm, Toria Wooff’s own darkness offers unexpected solace and leaves an equally poignant mark. Fuelled by the thunder of individual spirit and a beating wild heart, her debut EP Badlands shone a light through sorrow’s cracks whilst extending a withered autumnal branch between stormy skies and solstice aligning her with Mother Nature’s tour de force. “I’m proud to be a young woman who sings and writes songs, and don’t apologise for being drawn to the gloomier things in life,” she says.
With the sonic rabbit hole well and truly open, Toria encountered Joan Baez, Crosby Stills and Nash, Pink Floyd, and Townes Van Zandt. Her roots entwined to the windswept valleys of Lancashire, the rural setting provided a fitting backdrop to the music as she began to sense a connection with the Celtic and Gaelic folklore of her mother’s Scottish heritage. Making past times strangely present with pagan-like spirituality, Toria’s melancholic bite lies between the pages of gothic literature and historical texts.
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